Huế Citadel — Villas & Hotel
Thiên Ý draws from six interlocking convictions about how dwelling, beauty, and place ought to relate to one another. Read together, they describe a way of being inside the world rather than upon it — a sensibility we hope to share with every guest who passes through our gates.
Where man, city, and nature exist in harmony.
Read further →Close ↑We are in a city — the country's former capital. Yet nature is everywhere present: mountains on the horizon, wild beaches a few kilometres away.
In the Citadel especially, lakes and wide planted avenues abound, and no house may rise higher than the King's Gate. Even agriculture is present within its walls. An answer to our urbanistic dead ends?
Where inside and outside fade into one another.
Read further →Close ↑The modern is about transparency, glass facades — while classical taste contrasts interior and exterior.
We cultivate the local tradition of being never fully inside nor fully outside but always in transition: latices, screens, windows with no glass, furnished gardens, balconies with carved railings, ornate pergolas…
Where water, wood, stone, or earth are always under our fingers and feet.
Read further →Close ↑If, of the celestial and terrestrial deities, we bow only to the former and reject the latter, will our world remain in balance?
Like the Ancients of both East and West, we do not raise concrete as a shield against chthonic powers, but lay handmade bricks directly upon the soil so that this communication may endure: earth on earth, upon which the human foot rests.
Where Matter, Concept, and the Human Hand coexist around us.
Read further →Close ↑If our homes are machines to live in and all that surrounds us is concept directly informing matter without the mediation of artisans, are we not machines ourselves?
Modernism speaks of functionalism; we prefer to feel that the idea, the work of the artisan, and the matter transformed have dialogued and danced together — a ballet that remains present every day before our eyes through carvings, wooden constructions, handmade ceramics, and mosaics. It is an animated and human presence that enriches the soul.
Where today follows in the wake of yesterday, and this flux carries us gently toward tomorrow.
Read further →Close ↑Our collective heritage is the very fabric of our lives, and the same benevolent forces that shaped our forefathers' lives also shape ours — so long as we remain open to their spell.
Where it is about Here — Vietnam, Huế — and about Today.
Read further →Close ↑Huế — and Vietnam — stands at the confluence of Europe and China, while always remaining itself.
A dynasty that cultivated relations with Europe and established its legitimacy through the emulation of Chinese ritual forms nevertheless remained rooted in the most ancient local traditions.
Though our creations are modern and innovative in style, the spirit that inspires them rises from the past and from the soil upon which they stand.